23Ara

12 must have apps for video pros

12 must have apps for video pros
// Tech | Business 2 Community

12 must have apps for video pros image 12MusthaveApps Main.png

From storyboarding to location scouting, casting to collaboration, there are now an array of exciting applications available for the busy filmmaker. As we reflect on our own app aspirations (stay tuned) we take a look at the current landscape of apps for desktop and mobile devices. These are some of our favorites, and hopefully they’ll help freelancers and studio pros alike streamline their production workflow.

#1 Screenwriting

Our fave: Slugline
Platform: Mac
Price: $39.99 (14-day free trial)

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Long before production undertakings such as scheduling, casting, or shotlisting comes one mammoth task: sitting down to write.
Fortunately, there’s a tool that allows screenwriters to script out their masterpieces without distraction.

Slugline is a beautifully clean and simple screenwriting application designed for pure writing. Created by industry pros Stu Maschwitz and Clinton Torres, it allows you to create documents from scratch or a template and includes features to help writers format scripts properly. Built on the text-based Fountain screenplay format, Slugline documents can be opened and edited in any word processing application. While working in the Slugline app, choosing options is all done via text input to save having to hunt for and click on icons, and the documents are formatted in an industry accepted format.

#2 Storyboarding

Our fave: Storyboard Composer by Cinemek
Platform: iOS
Price: $14.99

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Not all of us are great at drawing, and even those of us who are probably can’t put together a coherent and consistent storyboard in only a few minutes. Enter the world’s first mobile storyboarding application, Storyboard Composer. With no drawing experience necessary, users of Storyboard Composer can choose from characters, objects and environments – or sub in images shot with the phone or tablet camera – and compose their own storyboard frames in no time.

#3 Location Scouting

Our fave: Map-A-Pic
Platform: iOS, Android
Price: $4.99

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Location, location, location! This isn’t only true in real estate; it’s essential for a successful film production. Finding cool locations is one thing, but keeping track of the myriad of variables involved can make the job of choosing a shoot location when you’re back in the office a disaster.

Fortunately, there’s Map-A-Pic, a tool designed to simplify the decision-making process. Instantly save a location, including directions to get there; add photos, notes and names, and share the information with teammates. Never rely on a camera and notebook again!

Honorable mention: Set Scouter (beta)
Platform: browser
Price: Free to sign up, search, list and connect. Fee for location rental determines cost.

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Entering the fray for location searching is the ambitious startup, Set Scouter, which emulates the airbnb model. Sign up setscouter.com to list or seek out a location for shooting – if an agreement can be reached to use the facility, Set Scouter will broker the rental, taking their fee from the rental cost.

Still in the early phases of getting up and running, it’ll be interesting to watch the progress of this Toronto-based firm. Adding a mobile app would help adoption.

#4 Set design/layout

Our fave: MagicPlan by Sensopia
Platform: iOS
Price: Free

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Choosing a location is only half the battle – being able to visualize objects within the space is crucial for planning your shoot. With MagicPlan, you simply capture an image of the room to be used, choose objects, add annotations and attributes, and a fleshed out floorplan can be put together in a matter of a few minutes. That’s right; MagicPlan measures your rooms and draws your floor plan just by taking pictures.

#5 Scheduler

Our fave: Shot Lister by Reel Apps
Platform: iOS
Price: $13.99

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Shot lists and shooting schedules might not be sexy, but they’re essential in complex productions. Beyond the ability to create, organize and share shot lists and schedules, Shot Lister has a cool multiple user feature, which allows all personnel on a project to view, update, revise, and sign off on shot and equipment lists in real time. You can also import storyboards, circle best shots, and share PDF versions of shot lists and shooting schedules with those who do not have the app.

#6 Audio Capture

Our fave: RØDE smartLav+ & RØDE Rec
Platform: iOS
Price: smartLav+ = $80, RODE Rec = $5.99

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Ok, so this one might be a bit of a cheat. There’s an app here, but what’s the deal with the hardware component?

Well, the app is a beast in itself. Full recording and non-linear editing capabilities, live recording monitoring, real-time waveform, looping and volume normalizing features make this a great audio choice on its own. Tack on the ability to output audio files as WAV, MP3, AIFF, AAC, Apple Lossless, FLAC or others, and the ability to post finished files to iTunes or publish to Soundcloud or Dropbox, and this becomes a bargain at six bucks. Oh, it’s capable of FTP uploads as well.

Next comes the hardware. Imagine this: capturing broadcast-grade audio direct to a smartphone or tablet. The smartLav+ is a broadcast-grade lavalier (lapel) microphone designed for use in a wide range of applications, from the boardroom to the pulpit, the car to the classroom. Combine this hardware with a device such as the iOgrapher or an iPad or iPhone, and you have a fully stabilized (or tripod-mounted) pro recording device.

#7 Weather

Our fave: Sun Seeker by Ozpda
Platform: iOS, Android
Price: $8.99 (iOS), $6.99 (Android)

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Audio, location, script and storyboards don’t mean much if the weather decides it isn’t going to cooperate with a project. Consider a shot planned for 2pm that requires the sun over the right shoulder of a subject facing a certain direction. How the heck does the director calculate the location of the sun? With Sun Seeker for iOS or Android, it’s possible to plan exactly where the sun is going to be throughout the day, which is invaluable when planning your shooting schedule. Pair it with first-rate weather-forecasting app Dark Sky, and the crew will be fully prepared.

#8 Lighting

Our fave: Lighting Designer
Platform: iOS
Price: $24.99

12 must have apps for video pros image lighting designer.jpg

Everybody plans their lighting months before a project gets underway, right? No?

It’s ok. Lighting Designer to the rescue.

Not only is it possible to create lighting plans and diagrams from over 700 possible lights and lighting accessories, but there are templates to get users started. Once the plan looks good – or if a second opinion is required – share the plan with other stakeholders right from the app.

Once the design is approved, plan a truckload of gear, manage multiple sets/shoots, and assign resources to projects, all within the app.

#9 Storage Management

Our fave: AJA DataCalc
Platform: iOS
Cost: Free

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Video files are getting pretty big these days, and the storage and data rate requirements to deal with these files are getting larger as well.

Created for the toolbelt of audio and video professionals, AJA DataCalc is an iPhone app that can calculate storage consumption and data capture requirements. It can be used in the field during acquisition, or in the edit bay during post-production.

AJA DataCalc supports a vast array of video compression formats such as Apple ProRes, DVCProHD, HDV, XDCAM, DV, RGB and YUV Uncompressed and more. Video standards supported include NTSC, PAL, 1080i, 1080p, 720p, 2K and 4K.

# 10. Clapperboard & Shot Log

Our fave: MovieSlate
Platform: iOS
Cost: $29.99

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What fun is a shoot without a clapperboard? Well, it might still be fun, but pros know that a slate and clapper can greatly ease the logistics of any shoot.

MovieSlate takes the roles of an all-in-one digital slate, a clapperboard, a shot log tool, and a notepad and brings them to iOS. With each closing of the clapper, MovieSlate automatically creates a shot log with your production, timecode, notes, and even the GPS location of your shots – all easily searchable at a later time. Additional plug-ins allow MovieSlate to sync timecode with cameras, create audio info logs, and much more.

# 11 Viewfinder

Our fave: Artemis Director’s Viewfinder
Platform: iOS, Android
Cost: $29.99

12 must have apps for video pros image artemis.jpg

While the fame and fortune that comes with being a high-end director is cool and all, it’s the tools of their trade that truly cement their authority on the set. Megaphones, chairs on cranes, screaming fits, and, of course, the optical viewfinder.

Usually found hanging around the neck of Coppola and Spielberg, a viewfinder is essentially a tool to simulate how a shot will look through a variety of lenses.

Well these optical viewfinders can cost a fortune and still can’t match the capabilities of Artemis Director’s Viewfinder. The app can simulate a nearly limitless array of cameras (including specific ones, such as RED EPIC or Canon 5D Mark III) and various lenses. The app can show how those lenses and cameras look at different focal lengths and are easily swapped out for other options, making camera and lens choices far more efficient.

# 12 Callsheet Management

Our fave: FilmTouch
Platform: iOS
Cost: $9.99

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FilmTouch is an app designed to improve the management of standard PDF callsheets for production pros by adding all your PDF callsheets to a searchable list of crew members, jobs and companies that only you can see.

Here’s how it works:

  • Production sends you a callsheet.
  • You open the e-mail on your iPhone and tap a button to send it to the FilmTouch app.
  • FilmTouch adds your callsheet to the app within 60 seconds.

Sort names (and pertinent contact details) by job or company. Bye bye printer.

Beyond this list there are probably dozens more that help your company run smoothly. Why not let us know which ones you’re using?

23Ara

Mobile ad tech to 2017: App-centric, private markets, native ads, and closed loops

Mobile ad tech to 2017: App-centric, private markets, native ads, and closed loops
// VentureBeat

mobile-commerce1
GUEST:

2014 has been an exciting year for mobile advertising. As more and more brands and agencies are starting to figure out mobile, standards are being created, benchmarks formed and best practices refined. However, the best is still ahead for mobile and the next two to three years will shape the future of the medium that will eventually rule them all.

Here are some of the current trends being formed now and will bear fruit in the coming years.

The App-Centric Environment

Our interactions with digital devices will be in a mostly app-centric environment. This is not a dream or a philosophy, it is a reality. ‘Mobile Majority’ is a term you hear a lot these days. It highlights the fact that in 2014, over 55 percent of Internet usage in the US comes from mobile today. But when you say mobile, what you do you mean?

While in a mobile environment, users spend 86 percent of the time in applications – up from 67 percent just a year ago.


Free: 48-page mobile internet investment review by DigiCapital


Most major publishers have crossed the ‘tipping point’ and now have more mobile inventory than desktop inventory. However, most of their mobile inventory is mobile web and they are facing challenges monetizing it. And so, many publishers now try to re-imagine the user experience in an app-centric environment, breaking down their different use-cases and offered functionalities into different apps. This unbundling of use-cases, or as Fred Wilson calls it ‘app constellations,’ enable a single login and an easy, seamless navigation experience. The jury is still out when it comes to the effectiveness of this model but the point is that publishers are gearing up towards an app-centric world. This effort is focused on content and user experience but monetization will follow suit and mobile native ads are the harbingers of this evolutionary process.

Another important trend is the move from three to five screens (and later the Internet of Things), which will only increase the rate of transition to an app centric environment as the additional two screens, connected TV and wearable devices, are powered by apps. This is of course good news for app developers, together with the fact that in-app impressions are perceived as more premium. We are seeing that an in-app impression is usually worth 30%-50% more than a mobile web impression as in-app impressions are more engaging, less available and can be passed with more data than mobile web impressions.

Programmatic, Full-Stack, Cross-Screen Platforms

The fragmentation of users’ time and attention across screens requires advertisers to run different campaigns, with different budgets and goals, across different screens. The advertising platforms of the future will be built to do just that.

And so, in the near future, the planning and onboarding, measuring and optimizing of campaigns running on different screens will be done from single, centralized dashboards. Many of those dashboards are going to be a part of ‘full stack’ ad platforms as more players in this space are working to capture more parts of the ad tech value chain, as beautifully visualized by the now epic Lumascape.

The vast majority of these platforms are going to be programmatic.

Mobile programmatic advertising grew by 300% this year. According to eMarketer, mobile will surpass desktop next year, accounting for over 56 percent of all programmatic ad expenditure in the US. To me, that figure makes a lot of sense because programmatic is more natural to mobile. In the early days of mobile, browser-based and mobile web inventory was not monetized by the large publishers. When publishers finally started selling it, they viewed it as remnant or non-guaranteed inventory and either bundled it into larger directly sold packages as bonus impressions or naturally directed it into non-direct, automated channels. When apps arrived, most publishers (in this case, app developers) were not large enough to afford direct sales resources so monetization mostly went through – again – non-direct, automated sales channels.

Today, the term programmatic is used to describe two main types of automated ad buying models: Exchanges, which are automated marketplaces that facilitate the auction-based buying and selling of ad inventory from multiple sources, and Programmatic Direct, which is the automation of the old direct sale process.

Exchanges can be categorized as either open exchanges, a neutral, usually RTB-based marketplace that is open to (mostly) all buyers and sellers, and private marketplaces (or exchanges) that enable supply-side players to selectively invite advertisers and agencies to bid on auctioned inventory. According to eMarketer, private marketplaces represent roughly 10 percent of exchanges but are expected to grow to represent 30 percent of all exchange types by 2016.

We are definitely seeing a consistent rise of private marketplaces, mostly because they provide (or at least are perceived to provide) a controlled and transparent ‘safe haven’ with a premium feel to it, making it more comfortable for publishers to direct more of their premium pools of inventory to that environment.

Exchanges, as a whole, represent about 92 percent of programmatic models. The other 8 percent are attributed to Programmatic Direct models that enable publishers to extend and apply the efficiencies of programmatic to their premium guaranteed inventory. According to eMarketer, Programmatic Direct will account for 42 percent of the programmatic market by 2016. This is an incredible shift, which emphasizes the increasing confidence buyers and, especially sellers, have towards the programmatic model.

I anticipate that the ad platforms of the future will combine open exchanges, private marketplace and Programmatic Direct models, a combination that will minimize channels-conflicts and introduce more efficiencies in general.

Enter Native and Video

Just like the user experience in an app-centric environment is being re-imagined, the same is true for the ad experience, and we are starting to slowly see the fruit of these labors. Facebook and Twitter are great examples for companies that cracked the code of mobile advertising, at least for now. In Q3, mobile revenue represented 66 percent and 85 percent of total revenue for Facebook and Twitter, respectively.

This mobile revenue mostly comes from in-app native ads done right.

Native has been the next big thing for years now. There are two levels of ‘nativeness’ or ‘less intrusiveness’ in my eyes — the first, basic level in which a native ad has the same look and feel as the environment it is served on. The second, much deeper level is when the content of the ad is also matched with the content of the surrounding environment. While the second level is much harder to scale, the first level is scalable and works wonderfully within in-feed environments, especially in-app ones. And so, in the last couple of years the first level of native ads has found its ideal medium: applications, where the average CTR of native ads is 1.00 percent vs. 0.15 percent for the same native ads running on desktop.

I foresee that native formats will extend from in-feed to new app environments, across categories and verticals, and that we will see a lot of innovation around that area.

While mobile video still presents challenges for buyers and sellers, especially around quality, scale, safety and measurement, we definitely see a strong increase in demand for this medium. Indeed, according to eMarketer, spend on mobile video more than doubled this year to reach $1.5 billion but is expected to quadruple to over $6 billion by 2018.

Video is still mostly sold through direct channels as publishers prefer to secure the high CPM rates that they can command for such premium, in-demand inventory. However, to unlock the true potential of video, publishers will need to feel more comfortable with selling video on programmatic platforms. Private marketplaces and later Programmatic Demand platforms will make that happen. We are already seeing more publishers using private marketplaces to sell their video inventory and anticipate that this trend will only get stronger.

Other drivers to the mobile video growth will be better connectivity, increased standardization around this medium, better measurement capabilities (mostly around completion rates and viewable impression even though CTRs are still required by most advertisers) and more sophisticated pricing models that either shift the risk away from advertisers (read CPCV, CPMV and even CPI) or provide a known benchmark to TV buyers (GRP/TRP, as part of the challenging ‘share shift’ effort).

The Data Evolution

It is a well-known fact in ad tech economics that, generally speaking, the rate of supply growth is higher than the rate of demand growth and, therefore, price goes down and display inventory becomes a commodity. By attaching data to inventory, publishers and other players in the ecosystem are trying to mitigate this effect.

The available audience segments on desktop have become very granular in the last few years and fine targeting at scale is very doable in that environment.

The availability of such granular segments on mobile is limited (unless you are Google or Facebook) but we see that even the addition of certain parameters such as device ID or lat/long (geo) can increase average eCPM rates by 2-5X.

I anticipate that the audience segments that will be available on mobile will be more granular and, as mobile becomes more programmatic, more readable by bidders, making fine targeting at scale more achievable.

In addition, mobile and cloud technologies will make more data available and enable the ability to tie users to specific devices, track offers and integrate with offline POS systems to offer ‘closed loop’ solutions – more comprehensive attribution models, which form the holy grail of advertising.

Yoni Argaman

Above: Yoni Argaman

Or in other words, analysts have been predicting the explosion in mobile advertising for years with predictions in the tens of billions. Then came the skeptics who said that the world of mobile advertising is under delivering.

Based on the trends and numbers above, the explosion is real and it is right around the corner. We are just getting started!

Yoni Argaman is VP, Marketing and Business Strategy for InnerActive, an app monetization platform.



18Ara

Comcast Launches 4K Streaming

Comcast Launches 4K Streaming
// Ubergizmo

4k streaming comcast

As 4K technology slowly starts entering the mainstream content providers are moving to make access to content in Ultra High Definition more easy. Online video streaming sites like Netflix and Amazon have already started streaming content in 4K. Now a major pay-TV provider, Comcast, is getting in the game as well.

Today the launch of Comcast’s Xfinity in UHD app took place. It is an on-demand programming application, and there’s just one thing wrong with it, the app is only available for 2014 Samsung UHD TVs. So if you own a 4K television but its from a manufacturer other than Samsung, even if the model is from 2014, you’re out of luck.

This app will be available from today from the SMART Hub. Customers have to login with their Xfinity credentials and they can start streaming content in 4K right away. This happens over the internet. Support content includes the current season of NBC’s Chicago Fire and USA’s Suits and Covert Affairs. Parks and Recreation from NBC will be available starting February 2015.

Viewing experiences can be customized from within the app. It gives the ability to set parental controls, manage audio preferences and enable closed captioning.

Comcast hasn’t said if and when this application will be released for 4K TVs from other manufacturers, at least it hasn’t said the app won’t be released for them.

Comcast Launches 4K Streaming , original content from Ubergizmo. Read our Copyrights and terms of use.



12Ara

Online Video Streaming Up 60%, TV Consumption Down But Not Out

Online Video Streaming Up 60%, TV Consumption Down But Not Out

Last month Nielsen changed the name of their “Cross Platform Report” to the “Total Audience Report”. A fitting change considering the varying manners in which viewers consume content these days. One statistic has remained consistent in their report though, viewers are continuing to shift to online viewing at an increasing pace.

According to the new Total Audience Reportonline video streaming viewers are growing online at an astonishing 60% per month pace this month, whereas TV has declined roughly 4%. Although time spent viewing online is growing rapidly, TV is in no danger of losing its place as the primary place for viewers right now. They still average about 141 hours watched each month, whereas online only gets about 11 hours each month.




12Ara

Online Video Streaming Up 60%, TV Consumption Down But Not Out

Online Video Streaming Up 60%, TV Consumption Down But Not Out [Report]
// ReelSEO Online Video News

Online Video Streaming Up 60%, TV Consumption Down But Not Out [Report]A new report from Nielsen confirms that digital TV consumption is growing at a phenomenal rate, while traditional broadcast TV viewing is on the decline. That being said, TV still accounts for an average of about 141 hours watched each month, compared to 11 hours a month for online content. 



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